| One of the most fascinating aspects of painting is the
ability of an artist to take lifeless tubes of paint and transform the
singular colors into a whole view of the world. It requires an accurate
analysis of one’s beliefs to bring the mind’s eye to fruition and the confidence
in those beliefs to display them to the unknown. Yet, this is precisely
what Deane Folsom, Sr. has decided to share with us, in a calming wed of
simplicity and color so musical in its silence that the lullaby to our
own soul is unmistakable. At moments his technique feels liquid
– touchable, yet frozen at the same time. When the M.I.T. alumna
found his degree lacking in fascination, his rising enthusiasm of the railroads |
"Barley Neck Town Landing",8x10,o/p, Folsom,
Sr.
|
took hold. After years of working in Transportation Planning and
Economics, Mr. Folsom finally was able to devote himself fully to his art,
accepting artistic recognition along the way.
"La Moille Valley Afternoon",o/c, 12x16, Folsom,
Sr.
|
Though Mr. Folsom finds much spiritual fire in the landscapes
of the Cape, he is also impassioned by the lands of New Mexico, Maine,
Vermont, and New Hampshire. Yet, what is most striking is his love
of the past and adoration of the great workhorses of days gone by – the
trains. He paints the steel giants with such familial care, that
the man-made creatures seem to live not as beasts of burden to mankind,
but favorite friends. Mr. Folsom takes the viewer into the canvas,
placing us in the shadows of a boxcar so we may steal a glimpse of the
bustling souls portrayed in the scene. It is an unusual approach |
by any painter’s standard. Most often we are given a direct view
to the world which we are faced with on canvas. Yet somehow, the
idea of being able to see the painting from a secretive spot makes the
viewing more of a game. Mr. Folsom also takes on some of his muses
directly, viewing scenes as if we are there in plain sight of the painting’s
glare. Yet the curves of the land always place us within the painting,
rather than simply viewing from a withdrawn stance. This ability
may come from Mr. Folsom’s tendency to be a plein-air artist, surrounding
himself whenever he can with the elegance and grace he so easily captures.
| Though Mr. Folsom has trained in workshops under
many well-known artists, his true ability stems from a love of the land
and the massive machines he once worked with. It is this love which
gives his paintings their emotional conveyance to we voyeurs. And
it is for this reason that wherever his paintings may eventually reside,
they will always bring warmth to those who pass by. |
"Wellfleet Pond", oil on
canvas, 12x16, Folsom,
Sr.
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